Chari Cohen’s match striker
Ceramicist Chari Cohen always admired the elegance of her mother-in-law’s Shabbat dinner table, laid as it was with stately silver candlesticks and a white tablecloth. She always thought the scene was slightly marred, however, when a basic box of matches would be set next to the finery (more so when a burnt-out match would be placed on the rim of one of the candlesticks). To fix the picture, Cohen – who first learned her trade at the Royal Melbourne Institute of Technology in Melbourne, Australia – created her own line of match strikers. Every mini sculpture has a pot to keep the unlit matches, ridges to lay the charred remains on and a bumpy glaze to strike against. Each piece echoes the artist’s love of Canada’s landscape (she’s originally from Alberta and now lives in Toronto). Rocky outcrops, prairie fields and riverbeds are reflected in the shapes and colours of the clay. From $45 to $75. Through charicohen.com.
This piece originally appeared in the Globe and Mail on Thursday, April 17, 2014.
Photo c/o Yarn Bomb Yukon and Tyler Kuhn
To many people, knitting might just be as anachronistic as an episode of Downton Abbey. And maybe it is. (It’s certainly been around longer than Maggie Smith.)
As fusty as knitting may be, the craft is cool again. It’s been embraced by just about everyone, from athletes and movie stars to urban hipsters and biology geeks.
Kelly Wearstler’s Serpent rug for the Rug Company
Interior designer Kelly Wearstler has had a career trajectory likely only possible in her adopted hometown of Los Angeles. Starting out in the early nineties, she was a waitress turned Playboy centrefold turned interior designer to the stars: her modelling money helped launch her studio; her glitzy clients include Gwen Stefani and Cameron Diaz.
Now Wearstler runs a global lifestyle brand: She has her own fashion, jewellery and furniture lines, and has written four books, each documenting the kind of maximalist, explosively colourful interiors that have helped make her famous. She also creates carpets for the Rug Company, a renowned London-based tapestry manufacturer run by Christopher Sharp. He’s never been in Playboy, but has collaborated on floor coverings with many of the world’s top designers, including Paul Smith, Vivienne Westwood and Alexander McQueen.
Judson Beaumont’s Squiddy Table
Much of designer Judson Beaumont’s furniture has a Disney-like sense of innocence: curvaceous, cartoon-inspired pieces that look poised to, at any moment, burst into a rendition of Be Our Guest from Beauty and the Beast. His Squiddy table, on the other hand, comes from a darker, though still whimsical, place. Beaumont got the idea one day when he noticed some offcuts of alder in his Vancouver studio. The slivers reminded him of the super long, super skinny legs of a Tim Burton character. Jack Skellington, for example, or Victor van Dort. He embraced the creepy quality and started hand-carving similar members. The effect is chillingly cool, as though the squiggly fronds are stopped mid-scuttle as they scurry across the floor. 36″ w. x 18” h. x 16” d. From $1,500. Through straightlinedesigns.com.
This piece originally appeared in the Globe and Mail on Thursday, March 6, 2014.
Photo by Derek Shapton
Mary Abbott grew up outside of Guelph in an old farmhouse so secluded that her parents didn’t bother with curtains. “The land around us was made up of fields and forests,” she says. “It was extremely private.” Abbott has since left the rural life behind. She’s a corporate lawyer, her husband, Kevin Gormely, is an executive at a printing company, and they live in the middle of the city with their two small boys. Still, she channeled her upbringing when they rebuilt their home last year. The property is ensconced in the tree canopy of the Moore Park ravine, so she opted for giant picture windows with no coverings. Even the master bedroom is drapery-free—Abbott and Gormely enjoy waking up with the sun. The couple, working with architect John O’Connor of Basis Design Build, also kept the interiors spare to better showcase their extensive collection of contemporary Canadian art. Spare, but not spartan: O’Connor incorporated natural materials like soapstone, birch and Douglas fir to add rustic warmth. So even though the house looks modern, the palette is as elemental as the towering trees outside.
For the rest of this story, please see the March 2014 issue of Toronto Life magazine.
Miles Keller’s Kona Lounger
Currently in Toronto, the emerald ash borer beetle is decimating the city’s ash trees. Over the next 10 years, about 860,000 trees will be felled because of the invasive species. Instead of simply mulching or trashing the trunks, industrial designer Miles Keller, founder of Toronto-based Dystil studio, hopes we can come up with a creative reuse. Turning the logs into art, say, or furniture. (Because the beetle kills the tree by attacking its bark, it doesn’t affect the integrity of the wood.) For his part, Keller has used ash reclaimed from a city woodlot in Scarborough to design a graceful lounger. Called Kona, after the Cree word for snow, it pays tribute to the long history of ash as a valuable construction material for Canada’s First Nations people. Because the wood is lightweight and a good shock absorber, it was used for thousands of years as staffs for spears or frames for dog sleds. Fittingly, Keller’s fine joinery is reminiscent of a hockey stick, and the shape and leather meshing brings to mind a giant snowshoe. From $3,500. Through dystil.ca.
This piece originally appeared in the Globe and Mail on Thursday, February 27, 2014.