Queer Eye Thom Filicia
If all the stereotypes associated with interior designers, the overbearing snob is an enduring one. Thom Filicia, though, is far from being a stereotype. In an industry based on appearances, artifice and, sometimes, illusion, his utter lack of pretense, evidenced by his open, affable nature both on TV and over the phone from New York last week, has helped him build a far-reaching, ever-growing brand that spans the broadest spectrum of clients and commissions.
On the one hand, he has designed spaces for A-list celebrities including Jennifer Lopez, the late Peter Jennings and Tina Fey (“she’s exactly how you imagine her to be,” he says of the comic actor, “down-to-earth, generous and funny”). His high-end corporate clients include the W chain of boutique hotels. And his New York showroom, Sedgwick & Brattle, does a thriving trade in furniture, fabric and hardware produced by him or by designers he admires. Continue reading →
Photo by George Whiteside
Outside the Drake Devonshire in Prince Edward County, one of Ontario’s most picturesque agricultural regions, an upright player piano sits halfway between the parking lot and the front entrance, its strings sutured to amplifiers and extended to reach the inn’s parapet. As guests arrive, the exposed strings vibrate in the wind and Chopin fills the air. The gentle greeting, conceived by sound artist Gordon Monahan, sets the tone for this new type of getaway: the country inn as an art-filled, hipster-friendly retreat.
The lodgings are built around the historical Wellington Iron foundry, which dates back to 1860, now with a new campus of barn-like additions surrounding it on all sides. Together, the cluster of buildings amounts to a 1,200-square-metre interior with 11 guest rooms, two suites and a dining room and bar that seat 75. Various other anterooms offer Ping-Pong, canasta or karaoke until dawn, and a covered patio functions as an event space and an extension of the dining room.
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