Pharrell Williams is perhaps best known for two things: producing ultra-catchy earworm songs like Happy, and that enormous, Mountie-esque hat he wore to the Grammys hat a few years back. But he’s also a design nut, having tried his hand at furniture with a chair called the Tank; shoes, with sneakers for both Chanel and Adidas; and fashion, including sweaters made from upcycled ocean plastics for G-Star Raw. Recently, he unveiled his largest design project to date, a two-tower condo development in Toronto, done in collaboration with architects IBI Group and interior design studio U31, called Untitled. The Globe talks to him about the difference between making music and buildings, the power of curiosity, and why diversity makes design better.
Filipe Pantone in his studio in Valencia, Spain
Felipe Pantone, the trendsetting artist from Valencia, Spain, knew that the tattoo on his left forearm was a mistake even before sitting down to have it done. The design, which he got in 2017, features a kneeling lady, naked except for a lightning bolt flashing across her insanely curvaceous body.
“It’s my worst one,” the 33-year-old confesses before noting a design on his right arm that’s much cooler: criss-crossed lines that create a rippling moiré effect.
Airbnb zillionaire Joe Gebbia
Joe Gebbia is an up-and-coming furniture designer who should not quit his day job. Not because he isn’t talented. His first collection of office seating and tables, Neighborhood, recently debuted at the prestigious International Contemporary Furniture Fair in New York, and it’s great – modular furniture that looks sharp enough to sit in a chic living room.
Instead, it’s because Gebbia’s day job just happens to be changing the worlds of travel and business. He is the 35-year-old co-founder and chief product officer at Airbnb. Since launching the home-sharing company in 2008 with two friends, he’s convinced over three million homeowners in 191 countries to open their doors to strangers, helped hundreds of millions of tourists more affordably travel the globe, built a business worth over $30-billion (U.S.) and spurred a new form of economy – the sharing economy.
Artist Sheila Hicks
Sheila Hicks is a curious combination of artist and anthropologist. She doggedly records her impressions of the places and people she sees and meets, doing so using an unconventional medium: textiles. The 82-year-old, Paris-based American carries a notepad wherever she goes, but prefers to capture her observations using a small, makeshift loom. “It’s a rack with nails on it,” she explains. “I don’t need luggage when I travel. I can get away with my wristwatch, a carry-on of clothes, a pencil, and my little loom.”
Hicks’s woven sketches, which she calls minimes (French for minimal, not a contraction of Mini Me), are currently on display as part of Material Voices, a retrospective of her work at Toronto’s Textile Museum – her first ever show in Canada. Each small tapestry tells a story. Hastings Grand features dried corn husks caught in an earth-toned weave of wool, silk linen and cotton. It’s a send-up to Hastings, Neb., where she was born, that captures the beauty of the quiet, easy-to-overlook place.