Pepe Heykoop’s paper vase project. Photo by Annemarijne Bax
It’s a familiar, often unfortunate equation: a designer (industrial, fashion etc.) from a wealthy country has a trend-setting idea, manufacturers it for pennies in an impoverished country and then sells it for a premium without sharing the riches with the labourers who made it.
Dutch designer Pepe Heykoop is trying to create a new paradigm. His paper-vase project is both aesthetically edgy and morally sound. It was recently shown at the largest furniture fair in the world, Salone Internazionale del Mobile in Milan, Italy, where the influential design blog Dezeen called it a “a runaway success.” The business model for the vases is helping raise a community in Mumbai out of severe poverty.
Photo c/o Yarn Bomb Yukon and Tyler Kuhn
To many people, knitting might just be as anachronistic as an episode of Downton Abbey. And maybe it is. (It’s certainly been around longer than Maggie Smith.)
As fusty as knitting may be, the craft is cool again. It’s been embraced by just about everyone, from athletes and movie stars to urban hipsters and biology geeks.
Kelly Wearstler’s Serpent rug for the Rug Company
Interior designer Kelly Wearstler has had a career trajectory likely only possible in her adopted hometown of Los Angeles. Starting out in the early nineties, she was a waitress turned Playboy centrefold turned interior designer to the stars: her modelling money helped launch her studio; her glitzy clients include Gwen Stefani and Cameron Diaz.
Now Wearstler runs a global lifestyle brand: She has her own fashion, jewellery and furniture lines, and has written four books, each documenting the kind of maximalist, explosively colourful interiors that have helped make her famous. She also creates carpets for the Rug Company, a renowned London-based tapestry manufacturer run by Christopher Sharp. He’s never been in Playboy, but has collaborated on floor coverings with many of the world’s top designers, including Paul Smith, Vivienne Westwood and Alexander McQueen.
(Photography by Derek Shapton)
Torontonians are finally rejecting fussy Victorian architecture and going bold. In almost every neighbourhood, there’s a house or two that stands out. They’re tall, modern and boxy—the new Toronto aesthetic. Here, a look inside some of our favourites.
he people: Alireza Saeed, a structural engineer, his wife, Azi Lessani, and their two kids, five-year-old Deniz and two-year-old Doreen
The place: Tetris House, a 3,200-square-foot home near Avenue and Lawrence
A few years ago, Saeed commissioned the architect Reza Aliabadi to build a gleaming modern house in North York. It was perfect—except for the school district it was in. The family only lived there for a year before they decided to move to Avenue and Lawrence, where the kids could attend the public schools Ledbury Park and Lawrence Park Collegiate. But Saeed loved his first house so much he wanted an exact replica in his new neighbourhood, so he enlisted Aliabadi to do a repeat performance. The resulting place is 1,000 square feet smaller, but all other specs remain the same: a home office, basement guest suite, walk-in wine cave and party space, all stacked neatly on top of each other like pieces in a game of Tetris, which gives the house its name.
Bunkie designed by Evan Bare, Nathan Buhler and Jorge Torres
There are many, perfectly rational, even admirable reasons why we should all eschew the quintessential, American-style dream of living in a honking big house on a honking big lot. On a basic level, larger houses are more expensive to build, buy and keep up. They also tend to be energy hogs. Then there’s the cleaning – the more rooms there are, the more dust there is to bust.
Françoise Turner-Larcade’s Fragmented mirror
Before Françoise Turner-Larcade moved from Paris to Toronto in 2000 to marry her Canadian boyfriend, she was a jewellery designer with a boutique on Avenue George V. The change in location inspired an artistic change in direction. Instead of crafting bobbles for the body, the French native decided to create jewel-like home decor. Her Fragmented Mirrors series has the shimmer of a sterling necklace studded with precious stones. The casing is made from raw steel—which has a warm, slightly weathered patina—and inset with clear, coloured and grey reflective glass. Each section of the mirror is set into the frame at a different depth, so that every panel reflects light and motion in different, unique way. $4,000–$9,000. Through roselandgallery.com, email@example.com and firstname.lastname@example.org.
This piece originally appeared in the Globe and Mail on Thursday, October 17, 2013.