The Globe and Mail

  • As a testament to his longevity, rock-star status and sheer ingenuity, designer Marcel Wanders has been called both the Madonna and the Lady Gaga of the furniture world. The comparisons seem fair when considering his furniture. The Amsterdamer eschews the minimal aesthetic of peers like Philippe Starck in favour of adding a subversive – sometimes…

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  • Although Art Deco reached its apex of influence during the Interwar period, its rich colours, bold geometries and lavish materials (such as sterling silver and ebony) have never really disappeared from fashion. It is, essentially, timeless. But every once and a while, our collective fascination with the movement’s decor and architecture reaches a new fever…

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  • In 2006, when Carolyn Cameron was expecting her first child — a girl named Talulla — she decided her baby would only ever be fed with all-natural, non-toxic bottles, plates and utensils. After struggling to find reasonably priced, BPA-free products on the market, the Vancouverite decided to create her own line — Onyx. Cameron had no experience with…

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  • Patty Johnson is a master furniture designer with a deep sense of social responsibility. At her Toronto studio, she crafts the kind of playful-but-sophisticated pieces — neon, rattan-style arm chairs woven from sustainable fibres — that make design editors and critics go goo-goo eyed. She also spends considerable time in places like Haiti and Botswana,…

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  • Quebec City is iconic for its old world architecture and cobble-stoned, urban streets. But that’s just the historic core. Much of the provincial capital is made up of diffuse, car-centric suburbs. To some, the extreme dichotomy underscores the eyesore that is modern city planning. To design group Six Point Un, the contrast between the metropolitan…

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  • When designer Marie-josé Gustave moved to Quebec from France 15 years ago, she, not surprisingly, hauled her stuff with a bevy of cardboard boxes. But, unlike most of us, Gustave didn’t give away, store or toss the containers when she got here. She started turning them into art and decor. “I had lots of boxes,”…

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  • Garden markers are a must for green thumbs who can’t remember where they’ve seeded the beets versus the radishes. They’re particularly necessary before the buds start to grow in the early spring, when one, dirt-filled pot in the windowsill is indistinguishable from the next. JustPotters makes an especially handsome version — slender, ceramic stems with that…

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  • A few years ago, designer Ryan Taylor’s kitchen was startling to look more like a greenhouse than a cook space. He loved having ferns, herbs and succulents around, but had run out of places to put them. So, Toronto-based Taylor decided to create a new type of planter. His hanging Babylon pendant is a resplendent…

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  • Like all couturiers, Camal Pirbhai mainly works for a small group of elite, demanding clients. He’s often asked to sign agreements stating that his design is exclusive, original and top secret. He isn’t allowed to show pictures, sketches or fabric samples of many of his projects to anyone. Even talking about the designs is off…

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  • During the Victorian era, hand-blown, intricately patterned glass was a stylish sign of wealth. European aristocrats and American tycoons used it to transform their salons into jewel boxes, lining the rooms with gleaming vases, goblets and treys. But, similar to carriage making and shoe cobbling, the craft fell out of favour in the early 20th…

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