Until recently, Umbra, the Toronto-based, cheap-and-cheerful housewares producer (a bit like Ikea, only more plastics than particleboards), held a very specific place in mind. It was the brand that made my first, grown-up, moving-out-of-mom’s-house garbage can – the Garbo, designed by Karim Rashid, which I got on my way to university. In my late teens, I thought its plump, futuristic curves were cool (especially as mine was a silvery-blue colour). And it was cheap – likely less than a movie ticket, which is probably why almost everyone else I knew had one, too. So for me, Umbra will always conjure memories of my freshman room – decorated, as it was, on a dime. Something to remember fondly, if not to repeat.
Thanks to the growing Maker Movement, more people are enthusiastic about reclaiming once foreign-made, mass-produced consumables. Whether it’s something old school such as macramé plant hangers, or cutting edge and technical such as computer hardware, DIYers are becoming more prevalent. Not to mention profitable. According to a recent Economist article, Brooklyn-based Etsy, for example, generated sales of more than $1-billion (U.S.) in 2013, the vast majority of which was driven by small, part-time, at-home producers (of which there are over one million worldwide).