Miles Keller’s Kona Lounger
Currently in Toronto, the emerald ash borer beetle is decimating the city’s ash trees. Over the next 10 years, about 860,000 trees will be felled because of the invasive species. Instead of simply mulching or trashing the trunks, industrial designer Miles Keller, founder of Toronto-based Dystil studio, hopes we can come up with a creative reuse. Turning the logs into art, say, or furniture. (Because the beetle kills the tree by attacking its bark, it doesn’t affect the integrity of the wood.) For his part, Keller has used ash reclaimed from a city woodlot in Scarborough to design a graceful lounger. Called Kona, after the Cree word for snow, it pays tribute to the long history of ash as a valuable construction material for Canada’s First Nations people. Because the wood is lightweight and a good shock absorber, it was used for thousands of years as staffs for spears or frames for dog sleds. Fittingly, Keller’s fine joinery is reminiscent of a hockey stick, and the shape and leather meshing brings to mind a giant snowshoe. From $3,500. Through dystil.ca.
This piece originally appeared in the Globe and Mail on Thursday, February 27, 2014.
The Bust Chair
Marble is to geology what Cher is to the entertainment industry: hard and soft at the same time with an endless capacity for reinvention and an unquestionable ability to dazzle.
The only difference is that marble has been beloved for a few (thousand) years longer — even if both the stone and the singer look strangely ageless. Continue reading
Patty Johnson’s Haida Chair
Patty Johnson is a master furniture designer with a deep sense of social responsibility. At her Toronto studio, she crafts the kind of playful-but-sophisticated pieces — neon, rattan-style arm chairs woven from sustainable fibres — that make design editors and critics go goo-goo eyed. She also spends considerable time in places like Haiti and Botswana, helping to promote and develop local artistry and furniture production. Rather than being a sideline effort, her grass roots involvement is what gives character to her higher-end pieces. The recently released Haida chair was inspired by a year Johnson spent working with the First Nations group in the Pacific Northwest. The curved back takes its form from the Haida’s tradition of steam bending cedar; the structure — held together without any fasteners like nails or bolts — has the elegance of a traditional long house. Haida Chair. Price upon request. Mjölk, 2959 Dundas St. W., Toronto, 416-551-9853.
This piece originally appeared in the Globe and Mail on Thursday, May 2, 2013.