Geof Ramsay is a modern Maritimes designer. He was raised in Moncton and lives in Halifax, but learned his craft in Detroit, Ottawa and Amsterdam before setting up his eponymous studio in 2009. His witty Steps seat reflects both his East Coast roots and international influences. The piece is a play on people’s tendency to sit where they’re supposed to step – something that happens on front stoops and in foyers around the world. The actual construction of his mini stair – which is proportioned to act as a bench, footstool and side table in one – was inspired by what you’d find under the carpet or tiling of a typical Canadian home. The treads and risers are made of construction-grade plywood and supported by a simple stringer. The only thing missing is a banister rail to toss a winter coat and hat over. From $1,350. Through geoframsay.com
This piece originally appeared in the Globe and Mail on Thursday, November 7, 2013.
As a movement, surrealism is most often associated with highbrow arts like painting, literature and film (the macabre image of ants pouring out of a wounded hand, from Luis Buñuel’s seminal movie Un Chien Andalou, is as unsettling today as it would have been when it was first shown in 1929). But it also lends itself well to more commonplace fixations like industrial design and home decor.
After all, in the original, 1924 Manifesto of Surrealism, poet Andre Breton pointed to man’s general disaffection for the “objects he has been led to use, objects that his nonchalance has brought his way.” And one of the delights of surrealism is the way it electrifies the unremarkable with its strange colours, dream-like sense of possibility and irreverence for rules. The violin, for example, will forever be more beautiful because May Ray likened it to a ladies nude back with his 1924 photograph, Le Violon d’Ingres.